Sensual City Studio

GREY Grey is an omnipresent colour in the city. It is the colour of the sky as seen by the citizens of Shanghai. [ + ]

GREY

Grey is an omnipresent colour in the city. It is the colour of the sky as seen by the citizens of Shanghai. It is the background of most pictures, regardless of the weather, the season or the time of  day.

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FEELING SPECIAL 1 Shanghai is different. Shanghai is different from what we are used to, and is always surprising. [ + ]

FEELING SPECIAL 1

Shanghai is different. Shanghai is different from what we are used to, and is always surprising. It’s a city where many have found their home – and for those who haven’t, it is, at the very least, a place that changes their way of how space is perceived and used.
My dad had finally arrived in Shanghai; it would be the first time he saw the city I had fallen in love with. For someone who had travelled for so long (24 hours), he seemed quite fresh; everything was new and an opportunity to take a picture and make a video. He knew he would remember most events; nevertheless, he wanted to keep a record of the moments, figures, colours, textures – everything – in a form that could be printed in order to make recollection easier, as proof that Shanghai exists, that it’s real.
My dad became a real actor, a player on the stage that is the city, where everyone is an actor, albeit with an undefined role. Lots of people would look at him, change places on the bus or the train in order to sit closer to him, and stare at him. In a cemetery, a man even asked him to take a picture with him in front of his grandfather’s grave. He does not look that much different from any other tourist, or any other Shanghainese person, for that matter. He is not blond, tall or blue-eyed. But he has a white mane of hair, eyes that glow with curiosity, and a big smile. It seemed that this was the passport that granted him access to all the doors he encountered. He would be better understood in the grocery store than I would, and without even opening his mouth.

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WALLS AND PATHS Many books have been written about the typologies of the built space in Shanghai, in terms of form, in terms of function and even in terms of the absence of both. Many have dissected its built forms and subdivided them into many categories. [ + ]

WALLS AND PATHS

Many books have been written about the typologies of the built space in Shanghai, in terms of form, in terms of function and even in terms of the absence of both. Many have dissected its built forms and subdivided them into many categories. But we can all agree that Shanghainese walls are both impermeable and porous, solid and fragmented, opening and closing gaps in the city.
In the Chinese tradition, it is written that ghosts cannot walk along paths that turn around corners. Furthermore, they have to take on the form of the bridges in Chinese gardens in order to cross the ponds they straddle.
In Chinese philosophy, a walk through a garden should command all of a person’s attention, as there is only one time and one space: the here and now. The lack or presence in a given dimension of railings, which are more decorative than functional, is to exalt this dimension of being. Being lost in one’s thoughts can result in one  falling into a pond… in the here and now.

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GUESS WHO IS RIDING THE BICYCLE Shanghai and China historically have an impressive record in terms of the number of citizens who ride bicycles. It is not by chance that the bestselling model of bicycle in the world is Chinese. [ + ]

GUESS WHO IS RIDING THE BICYCLE

Shanghai and China historically have an impressive record in terms of the number of citizens who ride bicycles. It is not by chance that the bestselling model of bicycle in the world is Chinese. Flying Pigeon one of the most popular vehicles sold anywhere.
The Chinese have always made great use of bicycles, and they are good at it. They use them as trucks, mobile shops (selling products ranging from gardening items to food), whole-family transport, and as a means of crossing the entire city on a daily basis.
In one particular lilong, I get to meet a man who used the pedal of his bike to set in motion a sharpener he had attached to the wheel in order to file and sharpen all kinds of kitchen utensils.
However, the Shanghainese are not in agreement on certain issues, such as:
– Using bicycle lights at night and/or cycle helmets.
– Riding straight, like a Western cyclist. It is hard to shake the feeling that riding in a straight line might actually be more dangerous than navigating the city streets in a more winding, haphazard way… perhaps there is a secret to this?
– Using hand signals to indicate you are about to turn. In this case, there is just one thing that matters: keeping your arms safe, and using your head, eyes and ears, as the rules of the road in this city are quite different…
And… doing any of the above will immediately mark you out as… a foreigner.

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TELEVISION Of course, one of these lives on display could be mine, too, as I live in one of these towers where there is no need to hide. I used to live in a lilong, though,which taught me to understand that this whole city is mine, and that we all form it, create it and make it breathe together. [ + ]

TELEVISION

Of course, one of these lives on display could be mine, too, as I live in one of these towers where there is no need to hide. I used to live in a lilong, though,which taught me to understand that this whole city is mine, and that we all form it, create it and make it breathe together. No need to hide. My window becomes the best possible TV, a screen showing what is happening here and now. At home, I just want to watch the city passing by my eyes.

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SEARCH

Le Sensual City Studio est conçu comme un lieu de réflexion où se fabrique la pensée, long cheminement nécessaire au travail de conception et de réalisation des projets. Approcher l’espace dans sa complexité physique, fonctionnelle, sociologique, nécessite un décloisonnement des disciplines et un travail collectif : c’est ce que reflète la composition de l’équipe, étoffée par un riche faisceau de contributeurs. Cette démarche, à la croisée des savoirs et de la création, permet la rencontre des regards : une  démarche de co-construction ouverte qui enrichit la compréhension des enjeux et donne un sens à la conduite des projets menés au sein du Studio. Cette posture de recherche et d’approfondissement s’inscrit dans la tradition humaniste du studio, cabinet d’étude de la Renaissance où sciences et arts convergent et se nourrissent de leurs apports mutuels.

Cette interface est la matérialisation métaphorique de notre démarche : elle propose de partager une série de projets conçus dans des cadres variés et des logiques de recherche ponctuelles ou récurrentes. Que cela soit en déplaçant les cadres d’une commande ou en se créant des opportunités de réflexion, le projet reste le même : celui de la ville sensuelle.

Édition │ Publication du site
Le site www.search.sensual-city.com est édité par Sensual City Studio, 24 rue Dareau, 75014 Paris, France.
Directrice de la publication : Pauline Marchetti
T +33 (0)143 132 020
F +33 (0)143 132 021
communication@ferriermarchetti.studio
SIRET 52860142000029 – code APE 7410Z

Conception │ Réalisation du site
Design : © Olivier Lebrun
Code : © Ahmed Ghazi

Hébergement du site
Le site www.sensual-city.com est hébergé par Gandi, 63-65 boulevard Massena, 75013 Paris, France.
Pour contacter cet hébergeur, rendez-vous à l’adresse https://www.gandi.net/fr
L’accès au site ainsi que l’utilisation de son contenu s’effectuent dans le cadre des mentions d’utilisation décrites ci-après. Le fait d’accéder et de naviguer sur le site constitue de la part de l’internaute une acceptation sans réserve des précisions suivantes.
Sensual City Studio s’efforce d’assurer au mieux l’exactitude et la mise à jour des informations diffusées sur ce site, dont elle se réserve le droit de corriger, à tout moment et sans préavis, le contenu. Toutefois, le Studio ne peut garantir l’exactitude, la précision ou l’exhaustivité des informations mises à la disposition sur ce site.

Droit de propriété intellectuelle
L’ensemble du site et chacun des éléments qui le composent (tels que noms de domaine, textes, arborescences, images, photographies, illustrations, logos) sont la propriété exclusive de Sensual City Studio (ou des tiers qui sont référencés), qui est seule habilitée à exploiter les droits de propriété intellectuelle y afférents.

TXTIMGVID
AMBIANCE
[72][134][15]
CIEL
[41][97][35]
CLIMAT
[43][80][33]
COMMUNAUTÉ
[44][45][9]
CORPS
[54][86][27]
EAU
[35][51][31]
ÉCHANGE
[106][148][20]
ENVIRONNEMENT
[31][95][17]
ÉQUILIBRE
[74][123][22]
ÉVÈNEMENT
[47][68][20]
EXPÉRIENCE
[58][101][9]
IDENTITÉ
[48][59][3]
IMAGINAIRE
[37][85][7]
INTIMITÉ
[17][33][7]
LUMIÈRE
[43][97][12]
MATIÈRE
[26][66][11]
MÉMOIRE
[32][52][1]
MISE EN SCÈNE
[57][97][38]
MOUVEMENT
[59][64][36]
MULTITUDE
[41][72][17]
MYSTÈRE
[25][57][8]
NUIT
[11][19][4]
PARCOURS
[38][59][5]
PAUSE
[40][26][22]
POROSITÉ
[31][62][1]
RÉCIT
[51][76][2]
REFLET
[8][25][10]
RYTHME
[16][26][4]
SEUIL
[46][70][8]
SIGNE
[55][72][13]
SITUATION
[58][71][23]
SON
[34][26][15]
TERRITOIRE
[47][67][6]
TRAME
[15][41][0]
TRANSPARENCE
[13][46][0]
VERTICALITÉ
[24][27][12]
VIDE
[15][35][5]
VIVANT
[64][91][34]
VOYAGE
[21][30][4]
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