Sensual City Studio

SEVEN – GHOST MONTH – GHOST DAY Seven is one of the few numbers that is as lucky in the West as it is in the East.   In Chinese culture, all annual rituals are determined in accordance with the moon. [ + ]

SEVEN – GHOST MONTH – GHOST DAY

Seven is one of the few numbers that is as lucky in the West as it is in the East.   In Chinese culture, all annual rituals are determined in accordance with the moon. In Chinese, as in Latin-based languages, the moon is female; it is the yin  ; and it is the moon  that determines the propitious day for every Chinese ritual. Accordingly, the seventh month in the lunar calendar belongs to the ghosts, and so it is known as the “Ghost Month”; (鬼月) and the fifteenth day of this month is the “Ghost Day”. On this day, the deceased, emerging from the lower realms, are believed to visit the living. As an important Buddhist and Taoist festival, many rituals are performed in order to ease the pain of the deceased, by transmuting and absolving their suffering; to achieve this, their appetite should be satisfied and prayers should be said.

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THREE We were walking down – well, it could have been any street in Shanghai, really. Someone offered us a “lucky red envelope”, explaining to us that this envelope would bring us wealth. [ + ]

THREE

We were walking down – well, it could have been any street in Shanghai, really. Someone offered us a “lucky red envelope”, explaining to us that this envelope would bring us wealth. Inside, there was a red card, with the symbol of this year’s animal painted in golden brushstrokes.
My friend looked away, but I was curious and wanted one – two, in fact. I thought it would be a nice present to offer to someone like me, someone superstitious.
He said that he could sell us one envelope each. That would not be a problem. However, if it was just me buying, I could have one or three envelopes, five, even, if I wanted. But he wouldn’t sell me two, or four.
At the time, I didn’t understand the principle, which is in fact very simple: odd numbers are lucky. Chinese tradition dictates that material things should be given to others in odd-numbered quantities. Public holidays, too, last either one or three days. When venerating a statue or an image   of an ancestor, you should bow three times, or five times, or once… Seven or nine times would be better still. After nine, though, the golden number is twelve – an even number.

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WORKING SHOES As we came out of the classroom, I couldn’t help noticing my Western friend’s shoes. They looked very comfortable, and pretty, too, in nice, soft colours. [ + ]

WORKING SHOES

As we came out of the classroom, I couldn’t help noticing my Western friend’s shoes. They looked very comfortable, and pretty, too, in nice, soft colours. She told me that she had found them somewhere in a small shop in a lilong. She fell in love with them and bought them. However, she also mentioned the awkward way the shopkeeper looked at her. Later on, our Chinese colleagues saw them and started whispering among themselves, then smiling. We asked them what was going on. They told us that these shoes are meant for the “working class” on construction sites, and that only workers wear them. It’s like the different colour codes that exist in the urban fabric: blue buildings tend to be factories, for example – not hospitals, not housing, not shopping malls – and everyone is aware of this trend.

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GESTURES Every culture has its own gestures. Indians constantly move their heads while talking. [ + ]

GESTURES

Every culture has its own gestures. Indians constantly move their heads while talking. Similarly, Japanese use their heads to indicate that they have understood the subject.   As for Italians, they have a whole array of hand gestures that form a sort of language of their own. Shanghainese, on the other hand, don’t have all that many gestures, probably because of the embedded notion of yin   and yang   within Chinese culture and, consequently, their conception of healthiness. No one should be too happy or too sad. Equilibrium shall always prevail.
Nonetheless, when there is a crowd of Shanghainese watching a group of people playing mah-jong or carrom or any other table game, they will cross their arms, and some will smoke a cigarette without even touching it, as they do when they ride a bike, take a break at work or have a meal in a restaurant. What’s more, they will often do this while adopting the “crouching-on-heels position”. Since the very beginning of time, it has been shown that this is the best posture for the human body; however, in the West, most of us can’t really do this anymore, or at least not if we have to put our heels on the ground. But the Chinese can, and do, all the time, and hold this position for a very long time – while working, eating, waiting for public transport, going to the toilet, or simply talking to each other in the park or in the street.

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HOROSCOPE Tell me which animal you are and I will tell you what kind of person you might be. Being a pig has been proven to open Chinese doors. [ + ]

HOROSCOPE

Tell me which animal you are and I will tell you what kind of person you might be.
Being a pig has been proven to open Chinese doors. Whenever I mention my horoscope sign, it always elicits one of two reactions:
– Ohhh, good!
– Mmm, you are lucky!

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BALANCE Balance is not just a word for the Chinese. Neither is it merely the act of remaining vertical in a given place at a given time. [ + ]

BALANCE

Balance is not just a word for the Chinese. Neither is it merely the act of remaining vertical in a given place at a given time. Rather, it is about according equal importance to all emotions, and the positioning of the essential places that contribute to the accomplishment of one’s personal rituals.
It is about the dichotomy of all things, which isn’t   necessarily real but perceived. It’s   about how all  forces are interconnected, and how  they complement one another – and how this duality in fact corresponds to unity.

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SEARCH

Le Sensual City Studio est conçu comme un lieu de réflexion où se fabrique la pensée, long cheminement nécessaire au travail de conception et de réalisation des projets. Approcher l’espace dans sa complexité physique, fonctionnelle, sociologique, nécessite un décloisonnement des disciplines et un travail collectif : c’est ce que reflète la composition de l’équipe, étoffée par un riche faisceau de contributeurs. Cette démarche, à la croisée des savoirs et de la création, permet la rencontre des regards : une  démarche de co-construction ouverte qui enrichit la compréhension des enjeux et donne un sens à la conduite des projets menés au sein du Studio. Cette posture de recherche et d’approfondissement s’inscrit dans la tradition humaniste du studio, cabinet d’étude de la Renaissance où sciences et arts convergent et se nourrissent de leurs apports mutuels.

Cette interface est la matérialisation métaphorique de notre démarche : elle propose de partager une série de projets conçus dans des cadres variés et des logiques de recherche ponctuelles ou récurrentes. Que cela soit en déplaçant les cadres d’une commande ou en se créant des opportunités de réflexion, le projet reste le même : celui de la ville sensuelle.

Édition │ Publication du site
Le site www.search.sensual-city.com est édité par Sensual City Studio, 24 rue Dareau, 75014 Paris, France.
Directrice de la publication : Pauline Marchetti
T +33 (0)143 132 020
F +33 (0)143 132 021
communication@ferriermarchetti.studio
SIRET 52860142000029 – code APE 7410Z

Conception │ Réalisation du site
Design : © Olivier Lebrun
Code : © Ahmed Ghazi

Hébergement du site
Le site www.sensual-city.com est hébergé par Gandi, 63-65 boulevard Massena, 75013 Paris, France.
Pour contacter cet hébergeur, rendez-vous à l’adresse https://www.gandi.net/fr
L’accès au site ainsi que l’utilisation de son contenu s’effectuent dans le cadre des mentions d’utilisation décrites ci-après. Le fait d’accéder et de naviguer sur le site constitue de la part de l’internaute une acceptation sans réserve des précisions suivantes.
Sensual City Studio s’efforce d’assurer au mieux l’exactitude et la mise à jour des informations diffusées sur ce site, dont elle se réserve le droit de corriger, à tout moment et sans préavis, le contenu. Toutefois, le Studio ne peut garantir l’exactitude, la précision ou l’exhaustivité des informations mises à la disposition sur ce site.

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L’ensemble du site et chacun des éléments qui le composent (tels que noms de domaine, textes, arborescences, images, photographies, illustrations, logos) sont la propriété exclusive de Sensual City Studio (ou des tiers qui sont référencés), qui est seule habilitée à exploiter les droits de propriété intellectuelle y afférents.

TXTIMGVID
AMBIANCE
[72][134][15]
CIEL
[41][97][35]
CLIMAT
[43][80][33]
COMMUNAUTÉ
[44][45][9]
CORPS
[54][86][27]
EAU
[35][51][31]
ÉCHANGE
[106][148][20]
ENVIRONNEMENT
[31][95][17]
ÉQUILIBRE
[74][123][22]
ÉVÈNEMENT
[47][68][20]
EXPÉRIENCE
[58][101][9]
IDENTITÉ
[48][59][3]
IMAGINAIRE
[37][85][7]
INTIMITÉ
[17][33][7]
LUMIÈRE
[43][97][12]
MATIÈRE
[26][66][11]
MÉMOIRE
[32][52][1]
MISE EN SCÈNE
[57][97][38]
MOUVEMENT
[59][64][36]
MULTITUDE
[41][72][17]
MYSTÈRE
[25][57][8]
NUIT
[11][19][4]
PARCOURS
[38][59][5]
PAUSE
[40][26][22]
POROSITÉ
[31][62][1]
RÉCIT
[51][76][2]
REFLET
[8][25][10]
RYTHME
[16][26][4]
SEUIL
[46][70][8]
SIGNE
[55][72][13]
SITUATION
[58][71][23]
SON
[34][26][15]
TERRITOIRE
[47][67][6]
TRAME
[15][41][0]
TRANSPARENCE
[13][46][0]
VERTICALITÉ
[24][27][12]
VIDE
[15][35][5]
VIVANT
[64][91][34]
VOYAGE
[21][30][4]
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