Sensual City Studio

SEVEN – GHOST MONTH – GHOST DAY Seven is one of the few numbers that is as lucky in the West as it is in the East.   In Chinese culture, all annual rituals are determined in accordance with the moon. [ + ]

SEVEN – GHOST MONTH – GHOST DAY

Seven is one of the few numbers that is as lucky in the West as it is in the East.   In Chinese culture, all annual rituals are determined in accordance with the moon. In Chinese, as in Latin-based languages, the moon is female; it is the yin  ; and it is the moon  that determines the propitious day for every Chinese ritual. Accordingly, the seventh month in the lunar calendar belongs to the ghosts, and so it is known as the “Ghost Month”; (鬼月) and the fifteenth day of this month is the “Ghost Day”. On this day, the deceased, emerging from the lower realms, are believed to visit the living. As an important Buddhist and Taoist festival, many rituals are performed in order to ease the pain of the deceased, by transmuting and absolving their suffering; to achieve this, their appetite should be satisfied and prayers should be said.

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MIMICS It is remarkable how you can have long conversations “just” using hand movements, facial contractions, bodily contortions and so forth… You find that there is always a way to communicate… well, maybe… actually, no, not always. The way Westerners represent drinking with a hand gesture, for instance, might turn out to be the gesture for the number six in Chinese; the number eight might be used for indicating a person or object; and the number ten might mean to be close to someone. [ + ]

MIMICS

It is remarkable how you can have long conversations “just” using hand movements, facial contractions, bodily contortions and so forth… You find that there is always a way to communicate… well, maybe… actually, no, not always.
The way Westerners represent drinking with a hand gesture, for instance, might turn out to be the gesture for the number six in Chinese; the number eight might be used for indicating a person or object; and the number ten might mean to be close to someone. Most of these hand gestures correspond to the way we learned to make shadow animals on the walls, with our parents, before going to sleep. The way Westerners usually represent eating doesn’t mean anything to most Chinese people… but you can always keep trying… until the person on the receiving end gets bored and leaves, that is.

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CHILDREN RIDING PARENT-CONTROLLED PURPLE ELEPHANTS A whole range of things have been adapted into Chinese culture; it is well known that the Chinese embrace change and development rapidly. Lactose is better assimilated by the younger generations, and so there are now some very tall men and women in China. [ + ]

CHILDREN RIDING PARENT-CONTROLLED PURPLE ELEPHANTS

A whole range of things have been adapted into Chinese culture; it is well known that the Chinese embrace change and development rapidly.
Lactose is better assimilated by the younger generations, and so there are now some very tall men and women in China.
But the Chinese are not only getting taller: it seems they are becoming wider, too. McDonald’s and KFC have been widely accepted and welcomed in China.
Nowadays, China is reaching record-breaking levels of obesity: there are fat camps and fat-reduction hospitals where parents can send their only child to lose all those extra pounds.
In ten years, China’s childhood obesity rate has doubled, with the greatest gains made in urban areas, owing to more Westernized dietary habits combined with more sedentary lifestyles, with more and more kids spending time in front of their computers and playing video games instead of going outside and getting some exercise.
According to recent official figures in China (2012), more than 12% of the nation’s children are overweight, representing some 120 million individuals under the age of 18.
This trend is partially due to a loss of neighbourliness and community spirit  . Children have no brothers and sisters, and instead of living in an open environment such as the lilong where there are other children to play with, their typical living environment is an apartment on the 30th floor, with only Mum, Dad and/or Grandma and Grandad for company.
As a result, parents take their children down to ground level – home of the shopping centre and the market place. Then, using a remote control, they set in motion the newly bought purple elephant, or giraffe, upon which the child is sitting comfortably, so that parents and children alike can happily eat their ice cream in peace.

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ANCESTORS 2 Investing in a coffin is what many work their whole lives for. Some acquire it very early on; owing to its size, it tends to become part of the furniture, in some cases being used as a shelf, a bed, a table, or an armoire. [ + ]

ANCESTORS 2

Investing in a coffin is what many work their whole lives for. Some acquire it very early on; owing to its size, it tends to become part of the furniture, in some cases being used as a shelf, a bed, a table, or an armoire. It is typically painted and decorated, always ready to serve.
There are still some cemeteries, as in ancient Chinese times, where there are “tomb guards” – guardians who are paid to accompany the ancestor to his or her eternal bodily home. These are real human beings, in flesh and blood, who will talk to the ancestor, regale him or her with stories of those left behind, and, of course, eat with the ancestor, for whom a fresh bowl of rice is always provided, but with just one chopstick placed on top, as the other chopstick is in the world of the afterlife, with the ancestor.
The importance of this coffin, this house, is of indisputable importance for Chinese ancestors, as it is their perpetual home, as well as for their relatives, so that they are able to uphold the values of filial piety, passed on from generation to generation.

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SEARCH

Le Sensual City Studio est conçu comme un lieu de réflexion où se fabrique la pensée, long cheminement nécessaire au travail de conception et de réalisation des projets. Approcher l’espace dans sa complexité physique, fonctionnelle, sociologique, nécessite un décloisonnement des disciplines et un travail collectif : c’est ce que reflète la composition de l’équipe, étoffée par un riche faisceau de contributeurs. Cette démarche, à la croisée des savoirs et de la création, permet la rencontre des regards : une  démarche de co-construction ouverte qui enrichit la compréhension des enjeux et donne un sens à la conduite des projets menés au sein du Studio. Cette posture de recherche et d’approfondissement s’inscrit dans la tradition humaniste du studio, cabinet d’étude de la Renaissance où sciences et arts convergent et se nourrissent de leurs apports mutuels.

Cette interface est la matérialisation métaphorique de notre démarche : elle propose de partager une série de projets conçus dans des cadres variés et des logiques de recherche ponctuelles ou récurrentes. Que cela soit en déplaçant les cadres d’une commande ou en se créant des opportunités de réflexion, le projet reste le même : celui de la ville sensuelle.

Édition │ Publication du site
Le site www.search.sensual-city.com est édité par Sensual City Studio, 24 rue Dareau, 75014 Paris, France.
Directrice de la publication : Pauline Marchetti
T +33 (0)954 013 567
F +33 (0)143 132 021
studio@sensual-city.com
SIRET 52860142000029 – code APE 7410Z

Conception │ Réalisation du site
Design : © Olivier Lebrun
Code : © Ahmed Ghazi

Hébergement du site
Le site www.sensual-city.com est hébergé par Gandi, 63-65 boulevard Massena, 75013 Paris, France.
Pour contacter cet hébergeur, rendez-vous à l’adresse https://www.gandi.net/fr
L’accès au site ainsi que l’utilisation de son contenu s’effectuent dans le cadre des mentions d’utilisation décrites ci-après. Le fait d’accéder et de naviguer sur le site constitue de la part de l’internaute une acceptation sans réserve des précisions suivantes.
Sensual City Studio s’efforce d’assurer au mieux l’exactitude et la mise à jour des informations diffusées sur ce site, dont elle se réserve le droit de corriger, à tout moment et sans préavis, le contenu. Toutefois, le Studio ne peut garantir l’exactitude, la précision ou l’exhaustivité des informations mises à la disposition sur ce site.

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L’ensemble du site et chacun des éléments qui le composent (tels que noms de domaine, textes, arborescences, images, photographies, illustrations, logos) sont la propriété exclusive de Sensual City Studio (ou des tiers qui sont référencés), qui est seule habilitée à exploiter les droits de propriété intellectuelle y afférents.

TXTIMGVID
AMBIANCE
[61][120][15]
CIEL
[33][75][35]
CLIMAT
[31][67][33]
COMMUNAUTÉ
[25][26][9]
CORPS
[44][66][27]
EAU
[26][41][31]
ÉCHANGE
[80][130][20]
ENVIRONNEMENT
[21][82][17]
ÉQUILIBRE
[55][108][22]
ÉVÈNEMENT
[40][56][20]
EXPÉRIENCE
[45][90][9]
IDENTITÉ
[37][48][3]
IMAGINAIRE
[25][69][7]
INTIMITÉ
[11][21][7]
LUMIÈRE
[36][89][12]
MATIÈRE
[16][45][11]
MÉMOIRE
[18][41][1]
MISE EN SCÈNE
[48][74][38]
MOUVEMENT
[52][57][36]
MULTITUDE
[34][56][17]
MYSTÈRE
[13][47][8]
NUIT
[8][18][4]
PARCOURS
[33][54][5]
PAUSE
[35][17][22]
POROSITÉ
[24][54][1]
RÉCIT
[34][61][2]
REFLET
[5][21][10]
RYTHME
[6][20][4]
SEUIL
[37][64][8]
SIGNE
[43][62][13]
SITUATION
[40][54][23]
SON
[30][24][15]
TERRITOIRE
[36][59][6]
TRAME
[7][36][0]
TRANSPARENCE
[6][42][0]
VERTICALITÉ
[12][13][12]
VIDE
[7][30][5]
VIVANT
[47][74][34]
VOYAGE
[11][20][4]
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