Sensual City Studio

HOROSCOPE Tell me which animal you are and I will tell you what kind of person you might be. Being a pig has been proven to open Chinese doors. [ + ]

HOROSCOPE

Tell me which animal you are and I will tell you what kind of person you might be.
Being a pig has been proven to open Chinese doors. Whenever I mention my horoscope sign, it always elicits one of two reactions:
– Ohhh, good!
– Mmm, you are lucky!

[ - ]

FEELING SPECIAL 3 We started walking through the lanes, past the many shops. And then, at the junction between the compound and the lilong, a man took out a microphone and started singing. [ + ]

FEELING SPECIAL 3

We started walking through the lanes, past the many shops. And then, at the junction between the compound and the lilong, a man took out a microphone and started singing. Some people nearby started singing along, too, while others continued to play mah-jong or folded their arms and just listened. We decided to go to the park. It was a hard decision initially, as so many unexpected things were happening in the street and it seemed that even looking away for just a second would mean missing something amazing. I took him by the hand, and we entered the park. He didn’t have to wait long to experience more of Shanghai.
There was a big group of Shanghainese people dancing in couples, and after a while my dad joined them. He was dancing with a woman to music he had never heard before. This became our ritual: we would sit down to eat and then go to the street corner or the park, and then sometimes someone would take my dad’s hand and offer him a folding chair, so that he could sit in the first row and hear that night’s singer more clearly. Othertimes, he would be distracted, and someone would ask him (us) to come back to their home, in one of the lilongs, so that they could explain to us the beauty of the wooden staircase, the spiritual and material value of it, and for how many generations it had served the family. We couldn’t speak Mandarin or Shanghainese, but that was never an issue.
He became like Shanghai: sleepless. And when he had to leave Shanghai, he left behind a whole city that had become a home.

[ - ]

TELEVISION Of course, one of these lives on display could be mine, too, as I live in one of these towers where there is no need to hide. I used to live in a lilong, though,which taught me to understand that this whole city is mine, and that we all form it, create it and make it breathe together. [ + ]

TELEVISION

Of course, one of these lives on display could be mine, too, as I live in one of these towers where there is no need to hide. I used to live in a lilong, though,which taught me to understand that this whole city is mine, and that we all form it, create it and make it breathe together. No need to hide. My window becomes the best possible TV, a screen showing what is happening here and now. At home, I just want to watch the city passing by my eyes.

[ - ]

MIMICS It is remarkable how you can have long conversations “just” using hand movements, facial contractions, bodily contortions and so forth… You find that there is always a way to communicate… well, maybe… actually, no, not always. The way Westerners represent drinking with a hand gesture, for instance, might turn out to be the gesture for the number six in Chinese; the number eight might be used for indicating a person or object; and the number ten might mean to be close to someone. [ + ]

MIMICS

It is remarkable how you can have long conversations “just” using hand movements, facial contractions, bodily contortions and so forth… You find that there is always a way to communicate… well, maybe… actually, no, not always.
The way Westerners represent drinking with a hand gesture, for instance, might turn out to be the gesture for the number six in Chinese; the number eight might be used for indicating a person or object; and the number ten might mean to be close to someone. Most of these hand gestures correspond to the way we learned to make shadow animals on the walls, with our parents, before going to sleep. The way Westerners usually represent eating doesn’t mean anything to most Chinese people… but you can always keep trying… until the person on the receiving end gets bored and leaves, that is.

[ - ]

TREES Trees are a little bit of nature in the concrete jungle, and dispensers of shade. As a Spanish saying goes, “everything happens in the shade  ” . [ + ]

TREES

Trees are a little bit of nature in the concrete jungle, and dispensers of shade. As a Spanish saying goes, “everything happens in the shade  ” .
In the almost cruelly hot summers of Shanghai, nothing is put to its fullest use like trees. In the parks, it is under the leafy shade of the trees that people dance, practise martial arts and play all sorts of traditional Chinese games. Walking, driving and cycling is simply delightful under these huge canopies of coolness.
Chinese culture has a long tradition of gardens. They are places that are carefully planned as architectural artefacts.
In the emperor’s palaces, gardens were created for recreation, meetings and relaxation, as a meditative space in which to dwell. It is said that football was actually invented under the trees of one of these palaces by the concubines of an emperor. The girls got bored and started playing with a ball, forming teams, since there were so many of them for the emperor to choose from.
Plane trees were brought over by the French in around 1902, to embellish their concession, held between 1849 and 1943.
These providers of shade were first planted along what was then Avenue Joffre, which used to be a tram route, and which is nowadays known as Huaihai Road, one of the city’s most important shopping streets. And yet these plane trees, with their characteristic forms, have become a symbol of Shanghai, and the go-to location for brides and grooms posing for photos before their weddings.

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SEARCH

Le Sensual City Studio est conçu comme un lieu de réflexion où se fabrique la pensée, long cheminement nécessaire au travail de conception et de réalisation des projets. Approcher l’espace dans sa complexité physique, fonctionnelle, sociologique, nécessite un décloisonnement des disciplines et un travail collectif : c’est ce que reflète la composition de l’équipe, étoffée par un riche faisceau de contributeurs. Cette démarche, à la croisée des savoirs et de la création, permet la rencontre des regards : une  démarche de co-construction ouverte qui enrichit la compréhension des enjeux et donne un sens à la conduite des projets menés au sein du Studio. Cette posture de recherche et d’approfondissement s’inscrit dans la tradition humaniste du studio, cabinet d’étude de la Renaissance où sciences et arts convergent et se nourrissent de leurs apports mutuels.

Cette interface est la matérialisation métaphorique de notre démarche : elle propose de partager une série de projets conçus dans des cadres variés et des logiques de recherche ponctuelles ou récurrentes. Que cela soit en déplaçant les cadres d’une commande ou en se créant des opportunités de réflexion, le projet reste le même : celui de la ville sensuelle.

Édition │ Publication du site
Le site www.search.sensual-city.com est édité par Sensual City Studio, 24 rue Dareau, 75014 Paris, France.
Directrice de la publication : Pauline Marchetti
T +33 (0)143 132 020
F +33 (0)143 132 021
communication@ferriermarchetti.studio
SIRET 52860142000029 – code APE 7410Z

Conception │ Réalisation du site
Design : © Olivier Lebrun
Code : © Ahmed Ghazi

Hébergement du site
Le site www.sensual-city.com est hébergé par Gandi, 63-65 boulevard Massena, 75013 Paris, France.
Pour contacter cet hébergeur, rendez-vous à l’adresse https://www.gandi.net/fr
L’accès au site ainsi que l’utilisation de son contenu s’effectuent dans le cadre des mentions d’utilisation décrites ci-après. Le fait d’accéder et de naviguer sur le site constitue de la part de l’internaute une acceptation sans réserve des précisions suivantes.
Sensual City Studio s’efforce d’assurer au mieux l’exactitude et la mise à jour des informations diffusées sur ce site, dont elle se réserve le droit de corriger, à tout moment et sans préavis, le contenu. Toutefois, le Studio ne peut garantir l’exactitude, la précision ou l’exhaustivité des informations mises à la disposition sur ce site.

Droit de propriété intellectuelle
L’ensemble du site et chacun des éléments qui le composent (tels que noms de domaine, textes, arborescences, images, photographies, illustrations, logos) sont la propriété exclusive de Sensual City Studio (ou des tiers qui sont référencés), qui est seule habilitée à exploiter les droits de propriété intellectuelle y afférents.

TXTIMGVID
AMBIANCE
[72][134][15]
CIEL
[41][97][35]
CLIMAT
[43][80][33]
COMMUNAUTÉ
[44][45][9]
CORPS
[54][86][27]
EAU
[35][51][31]
ÉCHANGE
[106][148][20]
ENVIRONNEMENT
[31][95][17]
ÉQUILIBRE
[74][123][22]
ÉVÈNEMENT
[47][68][20]
EXPÉRIENCE
[58][101][9]
IDENTITÉ
[48][59][3]
IMAGINAIRE
[37][85][7]
INTIMITÉ
[17][33][7]
LUMIÈRE
[43][97][12]
MATIÈRE
[26][66][11]
MÉMOIRE
[32][52][1]
MISE EN SCÈNE
[57][97][38]
MOUVEMENT
[59][64][36]
MULTITUDE
[41][72][17]
MYSTÈRE
[25][57][8]
NUIT
[11][19][4]
PARCOURS
[38][59][5]
PAUSE
[40][26][22]
POROSITÉ
[31][62][1]
RÉCIT
[51][76][2]
REFLET
[8][25][10]
RYTHME
[16][26][4]
SEUIL
[46][70][8]
SIGNE
[55][72][13]
SITUATION
[58][71][23]
SON
[34][26][15]
TERRITOIRE
[47][67][6]
TRAME
[15][41][0]
TRANSPARENCE
[13][46][0]
VERTICALITÉ
[24][27][12]
VIDE
[15][35][5]
VIVANT
[64][91][34]
VOYAGE
[21][30][4]
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