Sensual City Studio

EIGHT “Luck” is probably the best translation of the word for “eight” in Chinese culture.   It has many interpretations and can be used in many different ways. For example:Bā   sounds like the word for prosperity and wealth. [ + ]

EIGHT

“Luck” is probably the best translation of the word for “eight” in Chinese culture.   It has many interpretations and can be used in many different ways. For example:Bā   sounds like the word for prosperity and wealth. In different rituals, one can use the power of the number eight in a date to multiply good fortune.
There is also a visual resemblance between the digits “88” and 囍, the shuāng xĭ,   meaning “double happiness”. Furthermore, when turned on its side, the number eight resembles the mathematical symbol for infinity.  My impression, therefore, is that eight is the number of infinite luck and happiness.
The number eight is viewed as such an auspicious number that even being assigned a number containing several eights is considered very lucky. Chinese people devote a lot of money and effort to having the figure eight in their telephone numbers and car registration numbers.

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喜  (xĭ) means « happiness ». 喜 + 喜 = 囍 (shuāng xĭ) – DOUBLE HAPPINESS Double happiness has a beautiful connotation in Chinese. [ + ]

喜  (xĭ) means « happiness ». 喜 + 喜 = 囍 (shuāng xĭ) – DOUBLE HAPPINESS

Double happiness has a beautiful connotation in Chinese. It is the addition of single entities and its conversion into a double entity. Being double happy became a common expression symbolizing love, since love multiplies when it is shared.
It can be found on nearly every kind of item: rugs, clothes, fabrics, matchboxes, ceramics, doorbells, invitations, teaware, jewellery, cigarettes… These items are placed everywhere, and are essential items for any weddings, birthdays, anniversaries and New Year celebrations.
However, the moment when I really came into contact with this notion was when I solved my first dilemma on arrival in Shanghai, namely the question of what to smoke. At first, I tried the Western cigarettes, which didn’t taste the same as back home – too strong. Later on, I chose the packaging that appealed to me most: a golden packet with the Shanghai TV tower on it… it later proved to be a nice souvenir for friends, but not something to be smoked.
Afterwards, I start asking others and observing what the Chinese would smoke. There were so many different brands, but one caught my eye: a white packet with two red stripes at the top and bottom, with this 囍 symbol in red – a symbol that I had seen somewhere before… the double happiness symbol. It was not as bad as others I had tried before, but after a long night I would lose my voice for a while; this double happiness seemed to be double strength, too. Indeed, it turns out it has 15 mg of tar per cigarette, compared to 10 mg for a Marlboro Red.
After doing some research, I discovered that this cigarette used to be called “Happy Days”, and its literal translation “Red Double Happiness” is a truly Shanghainese cigarette brand created in 1906 by what is not only the oldest but also the biggest tobacco company in the People’s Republic of China.

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GREY Grey is an omnipresent colour in the city. It is the colour of the sky as seen by the citizens of Shanghai. [ + ]

GREY

Grey is an omnipresent colour in the city. It is the colour of the sky as seen by the citizens of Shanghai. It is the background of most pictures, regardless of the weather, the season or the time of  day.

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CHILLIES My friend arrived and I was keen to show her around: the street food first of all, available on every street corner, and then we decided to try a new restaurant located at the top of a tower. That way, we would be able to discover Shanghai from every direction. [ + ]

CHILLIES

My friend arrived and I was keen to show her around: the street food first of all, available on every street corner, and then we decided to try a new restaurant located at the top of a tower. That way, we would be able to discover Shanghai from every direction. Steffi loves spicy food, so we went to a Sichuanese restaurant. In the entrance, we could see chillies hanging from the ceiling, all bright hues of red. Finally, her dish arrived: it was a bowl full of chillies, and not much else, as far as we could tell. We ordered rice. And then she went for it. It was magic; she didn’t go red, or anything like that, and she ate every last morsel.
Shanghai is a metropolis that is very proud of the fact that embedded within it are all the secrets of this bountiful culture. Everywhere you sit in Shanghai, you have the opportunity to learn not just about the city, but also about China and the rest of the world. Shanghai is the head of the dragon, and it attracts anyone who wishes to discover it.

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SEARCH

Le Sensual City Studio est conçu comme un lieu de réflexion où se fabrique la pensée, long cheminement nécessaire au travail de conception et de réalisation des projets. Approcher l’espace dans sa complexité physique, fonctionnelle, sociologique, nécessite un décloisonnement des disciplines et un travail collectif : c’est ce que reflète la composition de l’équipe, étoffée par un riche faisceau de contributeurs. Cette démarche, à la croisée des savoirs et de la création, permet la rencontre des regards : une  démarche de co-construction ouverte qui enrichit la compréhension des enjeux et donne un sens à la conduite des projets menés au sein du Studio. Cette posture de recherche et d’approfondissement s’inscrit dans la tradition humaniste du studio, cabinet d’étude de la Renaissance où sciences et arts convergent et se nourrissent de leurs apports mutuels.

Cette interface est la matérialisation métaphorique de notre démarche : elle propose de partager une série de projets conçus dans des cadres variés et des logiques de recherche ponctuelles ou récurrentes. Que cela soit en déplaçant les cadres d’une commande ou en se créant des opportunités de réflexion, le projet reste le même : celui de la ville sensuelle.

Édition │ Publication du site
Le site www.search.sensual-city.com est édité par Sensual City Studio, 24 rue Dareau, 75014 Paris, France.
Directrice de la publication : Pauline Marchetti
T +33 (0)143 132 020
F +33 (0)143 132 021
communication@ferriermarchetti.studio
SIRET 52860142000029 – code APE 7410Z

Conception │ Réalisation du site
Design : © Olivier Lebrun
Code : © Ahmed Ghazi

Hébergement du site
Le site www.sensual-city.com est hébergé par Gandi, 63-65 boulevard Massena, 75013 Paris, France.
Pour contacter cet hébergeur, rendez-vous à l’adresse https://www.gandi.net/fr
L’accès au site ainsi que l’utilisation de son contenu s’effectuent dans le cadre des mentions d’utilisation décrites ci-après. Le fait d’accéder et de naviguer sur le site constitue de la part de l’internaute une acceptation sans réserve des précisions suivantes.
Sensual City Studio s’efforce d’assurer au mieux l’exactitude et la mise à jour des informations diffusées sur ce site, dont elle se réserve le droit de corriger, à tout moment et sans préavis, le contenu. Toutefois, le Studio ne peut garantir l’exactitude, la précision ou l’exhaustivité des informations mises à la disposition sur ce site.

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TXTIMGVID
AMBIANCE
[72][134][15]
CIEL
[41][97][35]
CLIMAT
[43][80][33]
COMMUNAUTÉ
[44][45][9]
CORPS
[54][86][27]
EAU
[35][51][31]
ÉCHANGE
[106][148][20]
ENVIRONNEMENT
[31][95][17]
ÉQUILIBRE
[74][123][22]
ÉVÈNEMENT
[47][68][20]
EXPÉRIENCE
[58][101][9]
IDENTITÉ
[48][59][3]
IMAGINAIRE
[37][85][7]
INTIMITÉ
[17][33][7]
LUMIÈRE
[43][97][12]
MATIÈRE
[26][66][11]
MÉMOIRE
[32][52][1]
MISE EN SCÈNE
[57][97][38]
MOUVEMENT
[59][64][36]
MULTITUDE
[41][72][17]
MYSTÈRE
[25][57][8]
NUIT
[11][19][4]
PARCOURS
[38][59][5]
PAUSE
[40][26][22]
POROSITÉ
[31][62][1]
RÉCIT
[51][76][2]
REFLET
[8][25][10]
RYTHME
[16][26][4]
SEUIL
[46][70][8]
SIGNE
[55][72][13]
SITUATION
[58][71][23]
SON
[34][26][15]
TERRITOIRE
[47][67][6]
TRAME
[15][41][0]
TRANSPARENCE
[13][46][0]
VERTICALITÉ
[24][27][12]
VIDE
[15][35][5]
VIVANT
[64][91][34]
VOYAGE
[21][30][4]
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